The Lewis Prize for Music is conducting a CYD community response survey to collect information about the larger field’s response to the COVID-19 pandemic and the ongoing injustices of systemic racism that the pandemic has only laid more bare. The Lewis Prize for Music wants to elevate nationally the critical work that CYD organizations are doing to create a more just society. All information shared in the survey will be reported back to the field in a summative fashion and activated toward the goal of increasing resources for the CYD field at large. Please only complete the survey once per organization.
In 2019, the CYD National Partnership’s Field Building Action Team conducted interviews across the nation to understand the growth of peer learning networks—focused fully or in part on CYD—that are emerging across the country. The results were compiled in a brief written for the CYD National Partnership by Ellen Hirzy in January 2020:
Peer learning networks promote the sharing of knowledge, experiences, ideas, and promising practices among professionals. Whether formal or informal, they give people a chance to know others who are engaged in similar work with similar challenges. Close interaction with peers can be difficult to find in the nonprofit world, especially for those working in smaller organizations with limited resources. The mutual encouragement and professional growth that happens over time through a peer network can make a profound difference in individuals and their organizations, and ultimately in the youth they serve.
Looking at the broader picture, as peer networks proliferate, collectively they will help to advance the creative youth development field as a whole, including the growth of cross-sector collaboration. This paper describes the benefits of CYD peer learning networks, their structure and function, challenges they face, and attributes that contribute to success. Designed as a reference tool for practitioners, funders, and key stakeholders, it is based on interviews the CYD National Partnership conducted with 11 emergent and sustaining networks around the country. Short profiles of several networks illustrate the diversity and potential of peer learning as a catalyst to creative youth development.
By taking their short survey, you are lifting up challenges programs face as the pandemic continues, and, more importantly, your answers will raise awareness of the short- and long-term effects of COVID-19 on the afterschool field. Findings from these surveys are shared with federal policy makers and featured in publications such as Education Week and Youth Today.
In 2018, the Creative Youth Development (CYD) National Partnership, through grant funding from the National Endowment for the Arts, worked in concert with the broader field to drive collective action in three strategic priorities to advance creative youth development:
Visibility & Impact: Documenting and Communicating Outcomes and Impact
Funding: Building Pathways to Funding
Field Building: Professional Development, Networking & Technical Assistance
In 2018, the Creative Youth Development (CYD) National Partnership, through grant funding from the National Endowment for the Arts, worked in concert with the broader field to drive collective action in three strategic priorities to advance creative youth development:
Visibility & Impact: Documenting and Communicating Outcomes and Impact
Funding: Building Pathways to Funding
Field Building: Professional Development, Networking & Technical Assistance
As part of Americans for the Arts’ work on their Creative Youth Development Toolkit, they commissioned field experts to produce a set of seven landscape analyses about key topics within youth development. These papers identify trends in creative youth development, share recommendations for CYD practitioners, and suggest areas for future exploration. All of them are now available online:
The Education Commission of the States’ recently released policy brief, Creative Youth Development: Transforming the Learning Environment, which received input from the Creative Youth Development National Partnership, provides an overview of CYD and its connections to student success, examples of successful programs, and considerations for state policymakers.
CYD programs may be particularly beneficial for underserved youth, providing them with opportunities to amplify inherent strengths and talents, build positive relationships, and express themselves in safe and healthy spaces. Increased flexibilities under the Every Student Succeeds Act (ESSA) offer states the opportunity to explore the use of innovative strategies to provide students with a well-rounded education that includes the arts. CYD strategies may serve to narrow the achievement gap and increase equity in education systems. Additionally, states may use CYD programs in conjunction with other educational initiatives, including those related to school improvement, alternative education, deeper learning, social-emotional learning and 21st century skills.
In the process of developing the Creative Youth Development National Action Blueprint, the CYD National Partnership commissioned research by the Forum for Youth Investment that maps opportunities for alignment between CYD and allied youth sectors, such as education and juvenile justice. The table they developed identifies the various points of alignment among CYD and adjacent sectors also working toward positive outcomes for youth, states levers for connection, and lists driving frameworks guiding philanthropy, policy & practice in the various systems and settings.
Many youth participants in CYD programs attest that their involvement changed the trajectory of their lives. Additionally, numerous young people state that participation in a CYD program effectively saved their lives. However, there are not enough CYD programs to meet the needs and interests of young people in our communities. While creative youth development is on the rise, not every community has CYD opportunities for young people. And some outstanding programs have waiting lists of young people who never have a chance to participate because demand exceeds the number of openings.
“Although sizeable gains have been made in afterschool program quality and participation, the unmet demand for afterschool programs continues to rise.”
“Parents of 18.5 million children (38 percent) not currently participating in afterschool programs say they would enroll their children if a program were available to them.”
Clearly there is unmet demand among youth and families for high quality afterschool programs. So how do we know that there is unmet demand for CYD programs, specifically?
The Search Institute has conducted substantial research in the area of young people’s deep interests and passions, or their sparks, with compelling results about young people’s interest in creative pursuits.
Creative arts was the number one interest area cited by U.S. teens aged 12-17 among the top 10 sparks categories. In fact, creative arts was cited by 54% of teens, more than twice as often as the number two category, athletics, which was named by 25% of teens surveyed (Benson, 2008).
“…creative life…art, music, drama, dance, movement is the largest category in which sparks fall for America’s kids…that’s the area in which the most kids say, ‘I’m my best self.’ It’s the arena in which most kids will say “ is where life is the fullest and most hopeful.” (Benson, 2011)
Young people are clearly interested in opportunities for creative skill building, inquiry, and expression, which is at the heart of CYD. So policymakers, funders, youth developers, community leaders and others who value supporting young people in identifying and cultivating their sparks, or personal passions, should support increasing access to and investment in CYD. High-quality creative youth development programs are essential pathways for young people to thrive.